Feliz Navidad Y Prometedor  2019
Merry Christmas and Happy New Year 2019
Jouyeux Noel et Bonne Année  2019


Federico Cantú 1907-1989
Ángeles músicos – buril 1954

Comentarios

Publicar un comentario

Entradas más populares de este blog

Imagen
La Novia de Nervo – Loreley San Antonio Texas 1921 Amado Nervo, seudónimo de Juan Crisóstomo Ruiz de Nervo y Ordaz (Tepic, en ese entonces en Jalisco, Nayarit; 27 de agosto de 1870-Montevideo, Uruguay; 24 de mayo de 1919), fue un poeta y prosista mexicano, perteneciente al movimiento modernista. Fue miembro correspondiente de la Academia Mexicana de la Lengua, no pudo ser miembro de número por residir en el extranjero. Loreley ( la bisabuela ) Entre los valores intelectuales de Nuevo León, es de justicia citar a la exquisita poetisa y escritora María Luisa Garza (1887), quien publicó muchos e interesantes artículos en la Capital de la República, principalmente en el Diario "El Demócrata", con el seudónimo o nombre literario de "Loreley", con que ha sido conocida. Nació en la ciudad de Cadereyta, Jiménez, N. L., el 23 de agosto de 1887. Sus padres fueron don Francisco Garza y Petra Garza, que murieron siendo niña. Estuvo casada...
Leer más
Imagen
The day of the Mexican flag Aztec codices (Nahuatl languages: Mēxihcatl āmoxtli Nahuatl pronunciation: [meːˈʃiʔkatɬ aːˈmoʃtɬi]) are books written by pre-Columbian and colonial-era Aztecs. These codices provide some of the best primary sources for Aztec culture. The pre-Columbian codices mostly do not in fact use the codex form (that of a modern paperback) and are, or originally were, long folded sheets. They also differ from European books in that they mostly consist of images and pictograms; they were  not meant to symbolize spoken or written narratives.The colonial era codices not only contain Aztec pictograms, but also Classical Nahuatl (in the Latin alphabet), Spanish, and occasionally Latin. Some are entirely in Nahuatl without pictorial content. Although there are very few surviving pre-conquest codices, the tlacuilo (codex painter) tradition endured the transition to colonial culture; scholars now have access to a body of around 500 colonial-era codices. Colonia...
Leer más
Imagen
  Madonna and Child was painted by one of the most influential artists of the late 13th and early 14th century, Duccio di Buoninsegna. This iconic image of the Madonna and Child, seen throughout the history of western art, holds significant value in terms of stylistic innovations of religious subject matter that would continue to evolve for centuries. The Madonna and Child is understood to be an intimate, devotional image. Some evocations of this understanding come from the burnt edges on the bottom of the original engaged frame caused by burning candles that likely would have sat just beneath Looking past the abrupt simplicity of the image, one can begin to understand the changes Duccio was applying to the depiction of religious figures in painting during the early 14th century. Duccio followed other innovative Italian artists of the time like Giotto, both of whom strove to move beyond the purely iconic Byzantine and Italo-Byzantine canon and attempted to create a more tangible c...
Leer más